“It was Keith’s great riff, and I wrote the rest. The funny thing was that it turned into this reggae song after two takes. And that take on ‘Tattoo You’ was the only take that was a complete rock and roll take. And then it went to reggae completely for about 20 takes, and that’s why everyone said, “Oh, that’s crap. We don’t want to use that.” And no one went back to Take 2, which was the one we used, the rock track.”